BOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.
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Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University
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The egg has long been a central motif in Sharon Kopriva’s artistic practice, symbolizing the cyclical interplay of life, death, and rebirth.
Read MoreBOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.
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Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life.
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Alfonso Huerta’s large-scale multipanel linocut, The Labyrinth of Time, is an intricate meditation on memory, ritual, and the interwoven rhythms of existence. The work unfolds as a vast tapestry of repeating patterns, symbols, and figures that draw the viewer into a visual maze—one that feels both ancient and contemporary.
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BOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.
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Known for her remarkable sculptures that often explore the entanglements of space and time, Sherry Owens created this large woodcut titled un poco de bambú
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LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.
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This spring, Pryor came to Flatbed to create a most interesting suite of works that through his repetitive mark-making and the repetition of printing, he could produce an installation of a million distinct marks.
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Flatbed is thrilled the announce the publication of “Rookery, High Island” and “Rookery, High Island II” by Billy Hassell! Billy’s two new lithographs were signed on September 3 at Flatbed. Billy started the collaboration to create these prints in February with Master Printer, Alyssa Ebinger. The intention was to create one full-color lithograph, but during his time at Flatbed developing the image, he also approved a second version. This monochromatic version, “Rookery, High Island II” utilizes three plates from the color version
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In May of 2024, Flatbed published “Disappearance: Icons of Excess” with Hammonds. The hand-drawn lithograph with chine collé relief etching vignettes combines Hammonds’ themes of nature contrasted with human over-indulgence. Hammonds writes: “
My focus lies in conveying the fragility of nature and the impact of human actions on the environment, drawing inspiration from the mysterious depths of forests and piles of debris
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Kyle Hawley takes on the often hush-hush topic of Motherhood to unfold the tools of that calling imbued with the range of inherent emotive colors. Using mono-printing techniques, Hawley prints directly from cloth utility accessories and garments that she designed and created to assist in mothering.
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The Texas Prairie. Where does it exist? Did the city take it, pave it, and replant it? The very words conjure images of air, space, and unfenced vastness. Erika Huddleston has been drawn to preserved prairies and what she can find there to draw and paint.
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Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.
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In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.
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Flatbed is excited to announce a new etching by Adrian Armstrong. Titled “NY 001”, Armstrong continues to explore relationships through portraiture. This etching was created in an edition of 14.
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It is too soon to lose Frank X. Tolbert 2. A great artist and friend to Flatbed, Frank brought his magical way of interpreting the world into the printmaking sphere.
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Joan Winter (American, born 1947) is a renowned sculptor and printmaker whose work is inspired by Japanese architecture.
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Ann Conner (born 1948, Wilmington) is a nationally acclaimed artist and professor, known for her colorful woodblock prints. Her work is included in a number of major museum and corporate print collections in the U.S. and internationally.
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