Flat File Satrudays have been a hit for us here at Flatbed. Flatbed has over 100 flat file drawers of etchings, lithographs, woodcuts and monoprints..  We're dedicating every Saturday to opening one or more of these drawers and exploring the treasures we find there. This Saturday, October 25th we’re featuring the print work of Ben Muñoz!

Flat File Satrudays have been a hit for us here at Flatbed. Flatbed has over 100 flat file drawers of etchings, lithographs, woodcuts and monoprints..  We're dedicating every Saturday to opening one or more of these drawers and exploring the treasures we find there. This Saturday, October 18th, we’re featuring the prints of Alfonso Huerta

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life. Her practice often invites viewers to pause and consider the invisible forces that shape our existence. In her Elemental suite of lithographs, Liu turns to fire, water, air, and earth, distilling their properties into paper and ink through processes that are at once physical and poetic.

Flat File Satrudays have been a hit for us here at Flatbed. Flatbed has over 100 flat file drawers of etchings, lithographs, woodcuts and monoprints..  We're dedicating every Saturday to opening one or more of these drawers and exploring the treasures we find there. This Saturday, October 11th, we’re featuring the prints of Ann Connor.

Flat File Satrudays have been a hit for us here at Flatbed. Flatbed has over 100 flat file drawers of etchings, lithographs, woodcuts and monoprints..  We're dedicating every Saturday to opening one or more of these drawers and exploring the treasures we find there. This Saturday, October 4th, it's a double feature with the prints of David Everett (Flat file drawer 37) and Adrian Armstrong (Flat file drawer 92) All prints are available for purchase!  We're open on Saturday from 12 noon until 5 pm.

Bob Schneider is an Austin-based musician and visual artist known for his bold, eclectic style that blends pop culture, humor, and abstraction.

Explore Everyone / Suite of Three by Connie Arismendi, created during her residency at Flatbed Press. These dreamlike etchings and monoprints transform single words into powerful visual meditations on memory, identity, and presence.

Ken Hale is a renowned American printmaker, painter, and educator, celebrated for his innovative contributions to lithography and his long tenure at the University of Texas at Austin. Hale’s prints often combine bold graphic elements with layered textures and collage, exploring themes of popular culture, language, and abstraction.

Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University

The egg has long been a central motif in Sharon Kopriva’s artistic practice, symbolizing the cyclical interplay of life, death, and rebirth.

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life.

Alfonso Huerta’s large-scale multipanel linocut, The Labyrinth of Time, is an intricate meditation on memory, ritual, and the interwoven rhythms of existence. The work unfolds as a vast tapestry of repeating patterns, symbols, and figures that draw the viewer into a visual maze—one that feels both ancient and contemporary.

BOB ANDERSON - FLAT FILE 27 At Flatbed Press, we house over 100 drawers—our “flat files”—filled with original prints by a wide range of artists. These prints represent an incredible variety of styles, techniques, and voices in contemporary printmaking.

LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.

Glasstire names "Temporal 'Thresholds: tracing the lines of time" one of Texas' top five this week. September 12, 2024

Kyle Hawley takes on the often hush-hush topic of Motherhood to unfold the tools of that calling imbued with the range of inherent emotive colors. Using mono-printing techniques, Hawley prints directly from cloth utility accessories and garments that she designed and created to assist in mothering.

In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.