Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University

The egg has long been a central motif in Sharon Kopriva’s artistic practice, symbolizing the cyclical interplay of life, death, and rebirth.

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life.

Alfonso Huerta’s large-scale multipanel linocut, The Labyrinth of Time, is an intricate meditation on memory, ritual, and the interwoven rhythms of existence. The work unfolds as a vast tapestry of repeating patterns, symbols, and figures that draw the viewer into a visual maze—one that feels both ancient and contemporary.

Gareth Maguire, “Blank Space” is a stone and plate color lithograph published July 2025.

Known for her remarkable sculptures that often explore the entanglements of space and time, Sherry Owens created this large woodcut titled un poco de bambú

LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.

Flatbed is excited to announce the publication of David Everett’s most recent woodcut, “Raven.” Everett has been creating woodcuts to add to his ongoing series of Southwest animals, and for the last two years has focused on birds.

This spring, Pryor came to Flatbed to create a most interesting suite of works that through his repetitive mark-making and the repetition of printing, he could produce an installation of a million distinct marks.