Flatbed Press is proud to introduce Rocket Plane, a striking new print by Lance Letscher that merges his fascination with mechanical forms and his signature graphic precision. In this meticulously rendered cutaway drawing, Letscher reveals the inner life of a fantastical aircraft—its ribs, wiring, engines, and bones—turning engineering into poetry.

Flatbed Press proudly announces the 2025 Kollwitz Circle print: White Rhino by Terry Allen.
Each year, Flatbed commissions a special edition exclusively for members of the Kollwitz Circle collector’s group—an opportunity to bring a singular work by a major artist into this intimate annual tradition. For 2025, we are honored to present a new etching by Terry Allen, an artist whose multidisciplinary practice has long woven together storytelling, memory, and myth.

Quail, David Everett’s newest woodcut, is the scaled quail (Callipepla squamata), also called blue quail or cottontop. It is a bluish gray bird found in the arid regions of the Southwestern United States to Central Mexico,.

“The Fool” is the eighth of the Villager Series of chine collé woodcuts by Annalise Gratovich. Flatbed has co-published this series with Gratovich over a period of twelve years. The monumental sized woodblocks, carved by Gratovich were printed in editions of seven and feature color designed, dyed and chine colléd into each print by the artist.

Beili Liu investigates the subtle connections between elemental processes and the material objects of daily life. Her practice often invites viewers to pause and consider the invisible forces that shape our existence. In her Elemental suite of lithographs, Liu turns to fire, water, air, and earth, distilling their properties into paper and ink through processes that are at once physical and poetic.

Sherry Owens develops her visual language through a deep exploration of the relationship between humanity and nature. Restless as the Sea draws inspiration from cut-back grass Owens observed on the campus of Sam Houston State University

Known for her remarkable sculptures that often explore the entanglements of space and time, Sherry Owens created this large woodcut titled un poco de bambú

Maguire's new monoprint series was born from grief, created in the wake of losing both of his parents.

Marco Sanchez
Elixir, 2025
Color lithograph

LOVE NOTES, Suzi Davioff’s title for her new suite of etchings, conjours treasured hand-written notes.

Flatbed is excited to announce the publication of David Everett’s most recent woodcut, “Raven.” Everett has been creating woodcuts to add to his ongoing series of Southwest animals, and for the last two years has focused on birds.

This spring, Pryor came to Flatbed to create a most interesting suite of works that through his repetitive mark-making and the repetition of printing, he could produce an installation of a million distinct marks.

Jenny Robinson’s spectacular color lithograph was released November 7. The ithograph measures 30 x 40 1/2 inches and is printed on both sides of translucent Kitakata paper. It is a striking “tour de force” of Robinson’s imaginative constructed spaces. Link to see more about this lithograph printed in a small edition of 10.

Matt Magee is an American contemporary artist whose printmaking practice continues his interest in minimal abstract geometric forms. "Sliver" is a color lithograph measuring 29 1/4 x 21 inches printed on Somerset satin white.  We created an edition of 20.  Find this print in our online collection here:  SLIVER

Flatbed is thrilled the announce the publication of “Rookery, High Island” and “Rookery, High Island II” by Billy Hassell! Billy’s two new lithographs were signed on September 3 at Flatbed. Billy started the collaboration to create these prints in February with Master Printer, Alyssa Ebinger. The intention was to create one full-color lithograph, but during his time at Flatbed developing the image, he also approved a second version. This monochromatic version, “Rookery, High Island II” utilizes three plates from the color version

The Texas Prairie. Where does it exist? Did the city take it, pave it, and replant it? The very words conjure images of air, space, and unfenced vastness. Erika Huddleston has been drawn to preserved prairies and what she can find there to draw and paint.

Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.

In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.

Flatbed is excited to announce a new etching by Adrian Armstrong. Titled “NY 001”, Armstrong continues to explore relationships through portraiture. This etching was created in an edition of 14.