"The Healer," Annalise Gratovich's newest woodcut from Villager's Carrying Things from Home

Flatbed is excited to announce the publication of Annalise Gratovich’s newest woodcut in her series “Villagers Carrying Things from Home.” This woodcut was created in the unique method of adding color by printing hand-dyed chine collé elements into the life-sized woodcut, and is the seventh Villager woodcut in her planned series of eight. Only seven impressions were printed in the edition.

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James Sullivan - Seeing in the Dark

In 2023, Sullivan developed two images at Flatbed to become polymer gravure etchings. First was the image of “Box” 1, a hand-drawn skeletal probing of the space of a simple box. He had drawn this image with a certain hand-carved reed dipped a sepia-toned ink. The second was Popular Mechanics 8 + 3, a diptych intaglio image based on Sullivan's landscape drawings which are on sheets from a Popular Mechanics magazine printed with the raised-dot patterns of Braille. The images though starkly different from each other, share Sullivan’s search for the unseen.

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Willie, 1973

It was 1973 in Terlingua, Texas and photographer Peter Leighton captured a moment of Willie Nelson’s performance during a tumultuous night set. He discovered it years later, restored the film negative, and is working with Flatbed to create a very limited polymer photogravure edition.

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David Everett Adds Three New Prints to his Southwest Lexicon of Creatures

Flatbed Press is proud to announce the publication of three new woodcuts by David Everett. The newest to join his lexicon of southwestern creatures are Caracara, Roadrunner, and Kingfisher. These recent choices of Everett’s are all birds found in Texas. Roadrunner and Caracara are often seen in arid areas but the Kingfisher thrives near lakes, rivers, and other aquatic areas.

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Flatbed File No. 4 "Poza" by Liz Ward

“Poza” is our featured print of the week. It was created by Liz Ward in 2000 - 2001 as a part of her Increment Suite. Like the other prints included in “Increments Suite”, “Poza” was created using custom-made Kitakata paper. The paper itself is slightly green, and the print was made using a staged aquatint. It depicts a globular amorphous shape made up of gradient aqua-colored rings on a flat background.

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