Filtering by: “Workshop”

Austin Studio Tour-EAST
Nov
19
to Nov 20

Austin Studio Tour-EAST

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Start your Austin Studio Tour with a linoleum demo at Flatbed Press with the fabulous Alfonso Huerta🌟

Bring the whole family!

Saturday, Nov. 12th 12pm-6pm
Sunday, Nov. 13th 12pm-6pm
Location #232 on your AST map

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Beauty of the Mark: Copperplate Etching- #6  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Mar
2

Beauty of the Mark: Copperplate Etching- #6 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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Beauty of the Mark: Copperplate Etching- #5  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Feb
23

Beauty of the Mark: Copperplate Etching- #5 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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Beauty of the Mark: Copperplate Etching- #4  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Feb
16

Beauty of the Mark: Copperplate Etching- #4 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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Beauty of the Mark: Copperplate Etching- #3  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Feb
9

Beauty of the Mark: Copperplate Etching- #3 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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Beauty of the Mark: Copperplate Etching- #2  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Feb
2

Beauty of the Mark: Copperplate Etching- #2 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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The Inky Photographer (Direct to Plate Polymer Gravure)
Jan
29
to Jan 30

The Inky Photographer (Direct to Plate Polymer Gravure)

  • Flatbed Center for contemporary Printmaking (map)
  • Google Calendar ICS

THE INKY PHOTOGRAPHER - Direct to Plate Polymer Photogravure

Date:  January 29 & 30
Times: 10:00 pm - 4:00  each day
Tuition: $300
Includes $50 materials fee for plates, ink, and paper

Instructor: Matthew Magruder

Learn how to use a non-toxic etching process that uses a photo-sensitive polymer plate, sunlight, or a UV light source and either digitally based or digital photographed images to create etchings.  In this workshop, Matthew teaches a new form of etching called "Direct To Plate" which eliminates the use of transparency or photo positive in creating the polymer photogravures.  Some know the type of etching plate he uses as the trade name “Solarplate." Participants do not need any previous printmaking experience. The class’s emphasis is on creating the polymer plate that can be printed as an etching in creative ways. One Monday night studio time is a bonus included with this workshop. This workshop is limited to seven people.

It would be helpful for Matthew will need to receive image files a week before class time. This class will fill quickly so register soon. You may call 512.477.9328 for more information.

SIGN UP NOW!
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Beauty of the Mark: Copperplate Etching- #1  OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING
Jan
26

Beauty of the Mark: Copperplate Etching- #1 OF A SIX WEEK CLASS EVERY WEDNESDAY EVENING

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Belinda Casey wants to introduce one of her passions, the joy of copperplate etching. There is nothing else like a line that sits on top of the paper as a raised mark that the Intaglio process makes. This class covers the basics of line etching techniques, using liquid hard ground on copper plates. We explore the beautiful qualities of linear drawing, etching, and printing. This workshop is rich in demos and you have time to make your own image on copper.

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Direct to Plate POLYMER PHOTOGRAVURE
Dec
11
to Dec 12

Direct to Plate POLYMER PHOTOGRAVURE

  • Flatbed Center for contemporary Printmaking (map)
  • Google Calendar ICS
Magruder_Matthew_Sloss-MM-7x117-photograv-scan-1-150dpi.jpg

THE INKY PHOTOGRAPHER - Direct to Plate Polymer Photogravure

Date:  December 11 & 12
Times: 10:00 pm - 4:00  each day
Tuition: $300 
Includes $50 materials fee for plates, ink and paper

Instructor: Matthew Magruder

Learn how to use a non-toxic etching process that uses a photo-sensitive polymer plate, sunlight, or a UV light source and either digitally based or digital photographed images to create etchings.  In this workshop, Matthew teaches a new form of etching called "Direct To Plate" which eliminates the use of transparency or photo positive in creating the polymer photogravures.  Some know the type of etching plate he uses as the trade name “Solarplate." Participants do not need any previous printmaking experience. The class’s emphasis is on creating the polymer plate that can be printed as an etching in creative ways. One Monday night studio time is a bonus included with this workshop.

 Limited to four people, this two-day workshop will give participants the chance to create several small polymer photogravure plates and print them.

It would be helpful for Matthew will need to receive image files a week before class time. This class will fill quickly so register soon. You may call 512.477.9328 for more information.

Matthew Magruder, “Sloss-MM, polymer photograve.

Matthew Magruder, “Sloss-MM, polymer photograve.

SIGN UP NOW!
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Language of Letterpress
Mar
13
to Mar 14

Language of Letterpress

  • Flatbed Center for Contemporary Printmaking (map)
  • Google Calendar ICS

Alex Giffen speaks Letterpress! Come to Flatbed to learn the ins and outs of making your own letterpress project. Print original invitations, certificates, stationery, cards…you dream it.

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Monotyping the Moment
Oct
10
to Oct 11

Monotyping the Moment

  • flatbed center for contemporary printmaking (map)
  • Google Calendar ICS

Two action-packed days of learning how to create monotypes using experimental layering processes. This workshop is limited to a small group of four. We will comply with CDC regulations and require masks and keep socially distant during the workshop. The participants will concentrate on creating their compositions using 22 x 30 printmaking papers. Giffen is introducing a layering monotype process using a wide variety of methods and materials in this dynamic workshop. We will work with a non-toxic, water-soluble oil-based ink. Just come ready to experiment!

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